
Cast: Akshay Kumar, Asin Thottumkal, John Abraham, Jacqueline Fernandez, Riteish Deshmukh, Zarine Khan, Shreyas Talpade, Shazahn Padamsee, Mithun Chakraborty, Rishi Kapoor, Randhir Kapoor, Boman Irani
Directed by Sajid Khan
Comedy fueled by confusion yields very little. And in Bollywood, this leads to people repeating their punch lines, screaming while spitting with expressions more animated than the next Pixar production. Here we have a house full of just this. The success factors are the usual: foreign locations, a minimum of two top stars (John-Akshay) and a maximum of two average stars to make the top stars feel more significant (Shreyas-Riteish). Then there has to be unaccountable opulence (since the audience wants to escape from their middle-class drudgery), dhishooming at the ratio of 30:1, naach-gaana by the united blues of Thailand and so on.

If two heterosexual men get this close physically, one would question their orientation but arching one’s brows like that doesn’t convey much love. And Sunny (Akshay Kumar) and Max (John Abraham) are bitter enemies. This is explained through a tiring flashback song sequence. If you’re pulling out your hair to guess if they resolve their differences, don’t. Not at the cost of sacrificing hair that probably won’t grow back. But then again, taking you through this story would ensure they grey evenly, so you might as well pull them out.

When the ladies realise that their millionaire fiancés aren’t aware of the number of zeroes in a million, they break down. The long and screechy ‘Nahiiiiiiiiiin’ has been done away with. But tears roll down and the short confrontation seems silly when in the very next scene the two arrive to forgive their respective partners and gulp down the lies and deceit that they put up with through the film. How generous! To the audience, that is.

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